Paste Magazine’s 100 Best Comic Book Characters

Paste
Paste Magazine released a list of the 100 Best Comic Book Characters and a few are from Fantagraphics books! Here are our highlights:
Buddy Buys a Dump Buddy
88. Buddy Bradley from HateBuddy Buys a Dump, etc.
"For some, though, Bagge's early ‘90s hipster caricature was the closest comics got to depicting the world Gen X'ers knew, or at least the world they thought would make them look cool if they acted like they knew it. Through Buddy, Bagge bitingly dredged up the paranoia at the core of every ‘90s alt doofus." – Garrett Martin
Ghost World Enid
35. Enid Coleslaw from Ghost World
"Teenage girls, in particular, get the short shrift in comics as Betties and Veronicas, but Enid is spunky, dangerous and recognizably human. In Ghost World, Enid brings her glorious three dimensions to the trials of adolescence." – Hillary Brown 
Usagi  Usagi
28. Miyamoto Usagi from Usagi Yojimbo
"Whether training under his Lord Mifune or traveling as a directionless Ronin, this rabbit bodyguard holds more gravitas and depth than any other anthropomorphic animal." – Sean Edgar
Uncle Scrooge Scrooge
15. Uncle Scrooge from Carl Bark's Uncle Scrooge and Donald Duck
"His cantankerous, money-crazed persona is tempered by a sympathetic backstory from Barks, showing how the millionaire waterfowl earned every dime of his immense wealth through hard work and cunning. This simple setup has fueled decades of stories, the animated series DuckTales and, more recently, a new series of acclaimed reprints of Barks' classic comics by Fantagraphics." –Zack Smith
Love and Rockets Hopey 
11. Hopey from Love and Rockets/Locas by Jaime Hernandez
"Hopey is all spikes and broken glass – a kid at heart – and, as children are, often thoughtless, selfish and wild. That she manages to be completely endearing and relatable to the reader speaks to Hernandez's achievement in Hopey's characterization." – Hillary Brown 
  
The Love Bunglers Maggie
10. Maggie
 from Love and Rockets/Locas by Jaime Hernandez
"Maggie's evolving, deepening emotions since 1981 make her one of the most realized and substantial characters in the entire comics medium. She's stereotypically feminine in many aspects – emotional, irrational, eats her feelings – but she also bends gender norms, as evidenced by her talent as a mechanic." – Hillary Brown